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Turntables

Where to Begin Your Vinyl Adventure

Where to Begin Your Vinyl Adventure

Where to Begin Your Vinyl Adventure

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Where to Begin Your Vinyl Adventure
Where to Begin Your Vinyl Adventure

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Supply chain issues have made starting a record collection a challenge, but there are still treasures to be found

by Tom Methans
July 8, 2022

So your new turntable is on its way, and you’re ready to buy records. You might even have a list of landmark albums many other collectors tend to buy: Tres Hombres by ZZ Top, Bach cello suites by Janos Starker, Texas Flood by Stevie Ray Vaughn, as well as some oldies by James Brown or the Three Kings (B.B., Freddie, and Albert). But any one of them could be out of stock, awaiting repress, or back-ordered with no definite production or ship dates. While it is possible to reserve copies, people have waited many months to receive orders. 

It wasn’t always like this. Before COVID, albums were plentiful, with more high-grade records pressed on heavy-weight vinyl, double 45-RPM albums, and proprietary technologies like SuperVinyl, Ultradisc One-Step, and UHQR (Ultra High-Quality Record). Pressing plants are now straining to meet the worldwide demand even with independent outlets doing their best to produce new records. 

A few years ago in Detroit, Jack White of the White Stripes started a record press, Third Man Records, to press alternative music, but they’re struggling to release a new punk record within one year due to backlogs. White appealed recently to the last remaining major labels to reopen their own plants, but this is a major undertaking that requires specialized machinery and staffing. The final blow to the industry was a fire at Apollo Masters in California, which manufactured the first step in the physical process of record production, leaving only one other such facility in Japan. The brick & mortar record store, a fixture that once dotted Main Street in every town, is accessible only to a lucky few. Thankfully, there are plenty of great online shops only a click away:

If one of the resources above doesn’t have everything on your wish list, it’s an excuse to try unfamiliar music, bands, and records when you go virtual crate-digging. Keep in mind that high-quality music can be found on a record priced $30 or a limited-release copy for $125. Both are physical media made by human hands and vulnerable to the same flaws:

        • scratches & scuffs
        • noise, even after a thorough cleaning
        • off-center spindle holes
        • imbedded debris
        • the age-old problem of warps

New records are less fraught with these issues than vintage ones and usually can be returned or replaced easily. This brings us to collecting used records. Unless you have a second turntable for testing old vinyl before playing it on your premier turntable, I recommend buying new and only playing those after a proper wash to remove dust, fibers, and residue leftover from the pressing plant. 

However, exploring vintage records provides an unrivaled dive into a treasure trove of forgotten music. Dusty bins at the used-record store can contain discontinued pressings of popular albums such as Rolling Stones’ Some Girls, featuring its original cover of images of Hollywood starlets used without their permission. Other records are deemed unworthy of reissuing and are thus lost to history until someone rediscovers them. Collecting old vinyl is a unique process, but that’s a discussion for another time.

Tom Methans is a writer based in New York. As a Fulbright Scholar, he traveled all over Germany to see heavy metal bands before receiving his Master’s in Library and Information Science. He followed that with a 20-year career in the wine industry and now writes about music and audio equipment for Copper Magazine. When not watching 1970s movies, Tom listens to records on his vintage Japanese turntable.

Where to Begin Your Vinyl Adventure
Where to Begin Your Vinyl Adventure
Where to Begin Your Vinyl Adventure
Where to Begin Your Vinyl Adventure
Where to Begin Your Vinyl Adventure
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Luxury Turntables–An Introduction

Luxury Turntables--An Introduction

Luxury Turntables—An Introduction

Swedish Audio Technologies CF1-09

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No other aspect of premium home entertainment offers as many exquisite options or as many points of entry, from basic to baroque

by Frank Doris
updated December 21, 2021

With the resurgence of all things vinyl, there’s arguably never been a better time to add a high-end turntable to a home entertainment setup.

A what?

Audiophiles like me take this for granted, but most people don’t even realize luxury turntables exist. But what makes a turntable luxury? Well, if it’s defined not just by price but by the ability to deliver a compelling musical experience, the best record-playback systems sound remarkably realistic, blurring the line between “reproduced sound” and the feeling the musicians are right in front of you.

A fine turntable can also be strikingly beautiful, whether a minimalist design like the classic Linn Sondek LP-12 or the clockwork-tech visuals of the VPI Avenger Reference.

If you think of audiophiles as a bunch of tweak-crazy perfectionists—assuming you’ve ever bothered to think of them at all—well, in some cases you’d be right. (Certainly in my case!) But don’t let the thought that a turntable isn’t a simple plug & play purchase scare you away from buying and enjoying one of these gorgeous pieces of machinery. 

But there’s one thing I need to emphasize before we proceed: A high-end turntable will require setup.

If you don’t know, or don’t want to know, the tricks of the trade, you can enlist the help of a dealer, systems integrator, or turntable setup specialist (yes, there are people like that). Their advice (and that of expert reviewers) on which turntable to buy will also be invaluable. While setup is exacting, it’s not a black art, so if you want to learn how to do it yourself, I would recommend Michael Fremer’s turntable setup DVD.

Better turntables start at around a few hundred dollars for a complete turntable/arm/cartridge setup, and spending from $500 to around $2,000 will bring immense musical satisfaction. But if you’re striving for the sonic ultimate, manufacturers like SME, Brinkmann, Spiral Groove, Rega, and Technics offer models from four and five figures up to turntables like the mighty $440,000, 780-plus-pound TechDAS Air Force Zero, and beyond. The TechDAS features five interlocking platters floating on a cushion of air, and a host of exotic proprietary materials, including a motor that’s no longer made.

Should you decide to invest in such a dazzling device, you’ll need to add a tonearm and cartridge. (While there are plenty of excellent complete turntable setups on the market, for many high-end record-playback rigs, the turntable, tonearm, and cartridge must be chosen separately.)

There are ultra-refined tonearms from some of the manufacturers mentioned above, plus Swedish Analog Technologies (their $48,000 CF1-09 is a mind blower), Acoustic Signature, and Graham Engineering, among others, and dozens of superb phono cartridges from companies like Grado, Ortofon, Koetsu, Audio-Technica, Van den Hul, Kiseki, Lyra, and Soundsmith. The miniaturized works of these diamond-tipped marvels are made to the standards of fine watches.

To descend to another level of audiophile geekdom—and raise another topic you might want to hand off to an expert—you’ll also need a phono stage, which amplifies and equalizes the weak signals coming from the turntable to a level the rest of the audio system can handle. (In the days when turntables were everywhere, phono inputs were common—today, not so much.) While budget and some under-$1,000 turntables have a built-in phono stage, ultimate-performance phono rigs and outboard phono stages like the CH Precision P1 ($31,500) or the Audio Research Reference Phono 3 ($15,000) go together like Ferraris and Brembo brakes. (For an overview of what’s available check Stereophile’s Recommended Components or The Absolute Sound’s Editors’ Choice listings.)

Why is the best turntable gear expensive? Consider: A record groove is around 40 to 80 micrometers wide, while a human hair is 17 to 181 µm wide! When dealing with that kind of micro-level physics, things like stylus shape and cartridge and tonearm alignment become exacting concerns in accurately translating the minute wiggles of the stylus through the groove into electrical signals heard as music. On the macro level, the motor must spin the platter at an unwavering speed (or it’ll be heard as pitch variation) while adding no noise of its own, and the turntable should be immune from outside vibrations.

It all adds up to a delicate balancing act—literally—and the engineering involved could fill more than one book. There are a myriad of approaches to things like materials, cartridge designs (the most common are moving coil and moving magnet), tonearm geometries, motors, and noise isolation. (The Mag-Lev Audio ML1 turntable uses magnetic levitation for platter isolation!) Materials like titanium platters, high-precision bearings, and handmade phono cartridges don’t come cheap, especially when manufactured in small quantities. But when a manufacturer takes a cost-no-object approach, it provides the freedom to reach for the sonic ultimate.

So, what’s best for you? I asked Michael Trei, who is a reviewer for Sound & Vision and a turntable setup expert, what his well-to-do clients want most. Looks? Sound? Bragging rights? “Reliability is the most important thing,” he said. “My customers don’t want to deal with turntables going out of adjustment.”

He added that “arm handling is important.” There aren’t any high-end turntables with automatic operation (let alone remote control!), so you have to manually play your records, and take care in doing so. Because of that, you need to be comfortable with the “feel” of the arm. (Some SME models make it physically impossible to accidentally drop the tonearm.) 

For the klutzes among us, Trei recommends using a moving-magnet cartridge, since the stylus on most can be easily replaced if damaged. If you have toddlers or others who might cause damage, keep the turntable—or them—out of reach! “I wish someone would make a locking turntable dustcover,” Trei mused.

On the other hand, as mentioned before, some audiophiles enjoy “tweaking” their setups. Some turntables are very stable; others require regular attention.

Is it all worth it? Consider me an enabler. A high-end turntable setup will convey music with astounding realism, resolution of musical detail, and a soundspace that can extend beyond the boundaries of your entertainment room or place you right in the audience. If you’ve never heard a high-end turntable at this level of performance, it will be a revelation.

If that’s not luxury for the soul, I don’t know what is. 

Frank Doris is the editor of Copper, an online audio and music magazine. He has more than 30 years of experience in public relations and marketing communications and has written for a number of publications including Copper, Cineluxe, Sound & Vision, CE Pro, The Absolute Sound, Home Theater Review, and others. He is also a professional guitarist and yes, played at CBGB back in the day.

the Mag-Lev Audio ML1 turntable

click on the images to enlarge

VPI Avenger Reference 

TechDAS Air Force Zero 

Audio Research Phono 3

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