Missing Link

Missing Link

There are few storytelling art forms I find more fascinating than stop-motion animation. Perhaps it’s because of growing up watching the documentaries on Star Wars and how Industrial Light & Magic implemented stop-motion for the Rancor and the AT-ATs invading Hoth. Something about the meticulous nature that’s necessary to create a stop-motion sequence, and the stylized look, spoke to my imagination.


We’ve all seen it, even if we didn’t know the name—from the Rankin/Bass Christmas specials of the ‘60s and ‘70s to the Wallace & Gromit series, or even just moments in movies that were mostly live-action, like the Star Wars films or Clash of the

Titans. In the past 10 to 15 years, there’s been a slight uptick in the number of stop-motion releases, and some have received award consideration, such as Kubo and the Two Strings, Anomalisa, and Coraline.


This year, another stop-motion film got an Oscar nod. Missing Link was co-produced by Annapurna Pictures and Laika (who also produced Kubo and the Two Strings and Coraline). It takes place in 1886 and follows explorer Sir Lionel Frost (Hugh Jackman) as he attempts to prove the existence of various mythical creatures in order to be accepted into the Society of Great Men. Fortune smiles on him when he receives a letter claiming to know the location 

of a Sasquatch (Zach Galifianakis—yes, it can talk) in the Pacific Northwest. Upon traveling there, Frost discovers he was tipped off to the location by the Sasquatch himself. Encroaching civilization has caused him to want to leave and find more of his kind in the Himalayas. But he needs Sir Lionel’s help in order to get there.


The story is a bit lacking. The characterizations can be clichéd (although there are a couple of twists and turns that are unexpected), and while there is a good amount of humor, much of it only elicits a few chuckles or falls flat.

Missing Link

But visually the movie is phenomenal. The 4K presentation (currently available for rent or purchase on Vudu) shows off the incredible detail put into the characters—from the fuzz of a wool jacket to the subtle freckles and coloration of skin. Colors have vibrancy and depth thanks to Dolby Vision. It’s a sizeable step up over the 1080p presentation that can be found free to stream on Hulu.

The sound mix is primarily focused to the front channels with surrounds handling reverb effects and music. There is an ocean storm that uses the surrounds a bit more for dramatic effect, and some low-frequency moments so the sub doesn’t feel left out. But it’s nothing that will stress a system like a Marvel film might.


Missing Link certainly isn’t a life-changing story that will stay with you for days, but the visuals are well worth the 93 minutes and seeking out in 4K.

John Higgins

John Higgins lives a life surrounded by audio. When he’s not writing for Cineluxe, IGN,
Wirecutter, he’s a professional musician and sound editor for TV/film. During his down
time, he’s watching Star Wars or learning from his toddler son, Neil.

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