The Last Crusade

review | Indiana Jones and the Last Crusade

The third installment of the Indiana Jones franchise receives the same excellent 4K HDR/Atmos makeover as the previous two titles

by John Sciacca
update May 5, 2023

After the dark tone of Indiana Jones and the Temple of Doom, director Steven Spielberg looked to lighten things up a bit for The Last Crusade, returning Indiana Jones to more of the fun and light-hearted tone that made Raiders of the Lost Ark such a fan favorite. The result is a film that feels far truer to the original and is frankly just more fun to watch.

With The Last Crusade, we get both a prequel and a sequel, with two returning characters who have larger roles in this adventure, including Sallah (John Rhys-Davies), Indiana’s contact in the Middle East, and Marcus Brody (Denholm Elliott), the museum curator who is the recipient of many of Indy’s finds. More importantly, Crusade expands Indy’s family by adding his father, Professor Henry Jones, played brilliantly by Sean Connery. The dynamic between Harrison Ford and Connery is terrific, showing another facet of Indy’s character, and offering some additional humor and heart to the story, giving Indy something to care about more than just an ancient relic.

This film’s first act involves puzzle solving and adventuring that feels like it formed the blueprint for Dan Brown’s Robert Langdon character in The Da Vinci Code to come years later, before settling into the action that launches characters towards the finale and adventures that take them around the world. It also feels like Spielberg and Ford have settled into the rhythm and feel of Indiana, and the movie just clicks along, hitting familiar beats while also feeling new.

Filmed just eight years after Raiders and five years after Temple, Crusade’s video quality is similar to those films, which is to say the restoration and new 4K digital intermediate make for a great-looking presentation, again bristling with detail in many closeups. On the plus side, I noticed far fewer instances of softness or focus issues compared to Raiders, and right from the opening, skies here looked bluer and less grainy. Tiny details like fine bubbles rising in Jones’ champagne flute, and the texture in clothing like the tweed in his father’s suit, the heavy wool of Nazi SS uniforms, or the texture in Indy’s hat band, and the whiskers and pores on his preternaturally sweaty face are visible throughout.

As with the first film, there are scenes that have such razor sharpness, clarity, and detail that they could pass for modern digitally shot media. One such moment was where Indy and dad are on a motorcycle in front of the crossroads sign to head to Berlin or Venice, which was stunning. Outdoor scenes, specifically the day shots in Venice, look like gorgeous travelogue material, and you can really appreciate the scope of the outdoor tank battle.

The HDR color grading is again reserved but it adds depth and texture to images, especially shadowy and dark scenes or the brightest highlights of the desert. You can also really appreciate the brilliant colors of a stained-glass window in the Venetian church/library.

Like the picture, Crusade’s new Dolby TrueHD Atmos audio mix takes a similar track as the other films, never looking to go too over the top (pun intended), but to just expand and enhance the original mix. Elements like driving wind, rain, and waves crashing up over the sides of a boat, or motorcycles racing up from the back of the room along the sides to pass into the front, and the room-filling roar and crackle of fire are all enhanced and expanded with the new sound mix. We also get more expansion of echoes, such as the hammer blows as Indy is trying to shatter marble, the ambience of water drips inside of catacombs, or tank shells that fly overhead.

Sonically, some of the film’s most dynamic and active moments come when some German fighters are attacking. Here we get planes strafing Ford and Connery in a vehicle, and the planes buzz all around the room, flying overhead, along the sides, and into the back. Their engines and guns are mixed aggressively, and add to the excitement of the moment. While never overused, the subwoofer is called on when appropriate, adding depth and weight to the soundtrack for things like explosions or collisions.

With Indiana Jones and the Last Crusade, we are brought back to Indy’s beginnings and earlier adventures in the best way possible. Even the ending echoes moments from Raiders’ opening cave scene but in a fresh way. And as our characters literally ride off into the sunset with John Williams’ iconic score erupting from all around, you can’t help but have a great time.

Probably the most experienced writer on custom installation in the industry, John Sciacca is co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at @SciaccaTweets and at johnsciacca.com.

PICTURE | Some scenes have such razor sharpness, clarity, and detail that they could pass for modern digitally shot media

SOUND | As with the other Jones films, the Atmos mix never goes too over the top but just expands and enhances the original mix

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